After World War One Attack On The U.S., Statue Of Liberty Torch Remains Closed.

The arm hand and torch of the Statue Of Liberty as viewed from the underside.  File Photo.
The arm hand and torch of the Statue Of Liberty as viewed from the underside. File Photo.

Close  up of  the arm, hand and torch of the Statue Of Liberty as viewed from the underside. File Photo.

Click on the photograph of the underside detail of the arm, hand and torch of the Statue Of  Liberty to see more information and a larger version.

Earlier  this  month, the crown of  The Statue Of Liberty was re-opened to visitors after being closed  since  the 2001 attack on the  World Trade Center  [1] but the torch, which has  been closed since  an attack on the US during World War One will remain closed.

The event that closed public access to the right arm and torch of the  Statue of Liberty  is  mostly overlooked in history classes and at  the monument also. [2]

On July 30, 1916, an attack by German saboteurs blew up Europe-bound munitions at a Jersey City, N.J., dock.  The explosions were so strong that  they popped rivets in the raised arm of the monument across the New York Harbor. [2]

According to the librarian of  the  Statue  of Liberty National Monument, Barry Moreno,  “The Army immediately closed the torch down. With the war on in Europe and the sabotage of the Lehigh Valley Railroad munitions dock, the war seemed to be getting closer and closer. The Army was more interested in security.” [2]

Story Related Links:

[1] http://aphotographersblog.net/2009/07/02/statue-of-liberty-crown-to-reopen-to-visitors-on-july-4-2009/

[2] http://www.mcall.com/news/local/all-5liberty.6939715jul04,0,1112955.story

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Mannie Garcia’s Two Cents

“Manuel Garcia — has now moved to intervene in the action, claiming that he — and not the Associated Press — is the owner of the copyright in the photograph.”

Mannie Garcia has finally  intervened  in the lawsuits  surrounding the famous  Barack Obama Campaign Posters [1]

According to A  Photo Editor “Manuel Garcia — has now moved to intervene in the action, claiming that he — and not the Associated Press — is the owner of the copyright in the photograph.” [2]

[1] http://aphotographersblog.net/2009/02/10/progress-hope-and-copyright/

[2]http://www.aphotoeditor.com/2009/07/13/mannie-garcia-seeks-intervention-in-ap-v-shepard-fairey/

Backyard Fireworks, Sewell NJ, July 2007.

A display of  fireworks in daylight makes a vertical ascent outdoors in a backyard located in the suburb of Sewell, NJ.

A display of fireworks in daylight makes a vertical ascent outdoors in a backyard located in the suburb of Sewell, NJ.

Click on the photograph of Backyard Fireworks, Sewell NJ, July 2007.
to see more information and a larger version.


Background Information:

While attending a  party in the  NJ suburb of Sewell, NJ fireworks were bring ignited  in the backyard at around  5:00pm. The view of  the fireworks during  daytime, in an empty suburban backyard, struck me  as surreal. Although I did not think of this at  the time I created  the picture, as I look at the photograph now It reminds me of  the burning bush from the Biblical narrative.

Compositional Information:

I framed horizontally to include as much as the backyard as possible. I placed  the fireworks in the center, insuring their prominence , and set the shutter speed  at  1/30th second, the slowest shutter speed  I  could get away with while hand holding the camera. I  chose the slowest shutter speed that I could because I wanted  the backyard  to be sharp and  defined, but I wanted light trails that would be created by any fast moving sparks.

I spot metered off of  the edges of  the fireworks to include some of the  backyard area and the AV priority mode  of  the camera went to f-8. Considering that the scene was high contrast, metering off of the edges resulted in a compromise between the areas where  I wanted  to hold  detail.

Technical Information:

Subfile Type:Full-resolution Image

Image Width:3072

Image Height:2304

Bits Per Sample:8 8 8

Compression:Uncompressed

Photometric Interpretation:RGB

Image Description:7/22/2007-A display of fireworks makes a vertical ascent in a backyard located in the suburb of Sewell, NJ.

Make:SONY

Camera Model Name:DSC-V3

Strip Offsets:33958

Samples Per Pixel:3

Rows Per Strip:2304

Strip Byte Counts:21233664

X Resolution:300

Y Resolution:300

Planar Configuration:Chunky

Resolution Unit:inches

Software:Adobe Photoshop CS2 Macintosh

Modify Date:2009-06-25 17:15:34 GMT

Artist:Sam D’Amico

Copyright:(C) Sam D’Amico

Exposure Time:30

F Number:8.0

Exposure Program:Shutter speed priority AE

ISO:100

Exif Version:0221

Date/Time Original:2007-07-22 20:50:23 GMT

Create Date:2007-07-22 20:50:23 GMT

Shutter Speed Value:30

Aperture Value: 8.0

Max Aperture Value:2.8

Metering Mode:Spot

Light Source:Daylight

Flash:Off

Focal Length:7.0mm

File Source:Digital Camera

Scene Type:Directly photographed

Custom Rendered:Normal

Exposure Mode:Auto

White Balance:Manual

Scene Capture Type:Standard

Links:

None

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Statue Of Liberty Crown To Reopen To Visitors On July 4, 2009.

Close up of the Staue of Liberty photographed from the side showing the book, crown and torch.

Close up of the Staue of Liberty photographed from the side showing the book, crown and torch.

Click on the photograph of the Statue-Of-Liberty-Close-Up-Side-View to see more information and a larger version.

I know I’m a bit  late on this  story, but  at least I made it before the actual opening. Better late than never.

From a press  release issued  by  the National Park Service on May 8, 2009 and a pdf  document on how  to  get tickets :

“The American public will once again be able to visit the crown of the Statue of Liberty, which was closed after the 9/11 attacks for safety and security reasons. ” [1]

“On July 4th, we are giving America a special gift,” Salazar said. “We are once again inviting the public to celebrate our great nation and the hope and opportunity it symbolizes by climbing to Lady Liberty’s crown for a unique view of New York Harbor, where the forbearers of millions of American families first saw the new world.” [1]

“crown reservations may be made through the Statue Cruises Web site at www.statuecruises.com or by phone at 877- LADY-TIX (877-523-9849). Crown tickets may be reserved up to 1 year in advance.” [2]

Story  Related Links:

[1] http://home.nps.gov/news/release.htm?id=865

[2] http://www.nps.gov/stli/upload/STLI-FAQs_Crown%20Tickets_Final.pdf

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Australian Freshwater Crocodile Reflected In Water. Crocodylus johnstoni.

May 9, 2008. The National Aquarium. Inner Harbor area of Baltimore, Maryland. Animal Planet Australia: Wild Extremes! exhibit.

May 9, 2008. The National Aquarium. Inner Harbor area of Baltimore, Maryland. Animal Planet Australia: Wild Extremes! exhibit.

Click on the photograph of the Australian Freshwater  Crocodile
to see more information and a larger version.


Background Information:

What If I told you that I photographed this Australian Freshwater  Crocodile while I was in the Outback of Australia.

If I told you that I was in the Outback of Australia, I’d be  lying; I was at the National Aquarium located in the Inner Harbor area of Baltimore, Maryland.

Fortunately for me, since I’m as much a wildlife photographer as I am a neurosurgeon, we can get some interesting wildlife photographs at some not so wild places.

This Australian Freshwater  Crocodile was on display during the Animal Planet Australia: Wild Extremes! exhibit.

While researching this reptile I learned  that it is also called Johnston’s crocodile, Australian freshwater crocodile, “Freshie”, Fish crocodile, Johnston’s river crocodile and Crocodylus johnstoni. [1]

“The Australian freshwater crocodile is a relatively small crocodilian which rarely exceeds 2.5 to 3 m in the wild and takes many years (at least 30) to reach this size. Females general reach a maximum size of 2.0 to 2.1 metres. The shape of the snout is unusually narrow and tapering, lined with numerous sharp teeth (unlike the blunter teeth found in larger C. porosus). The body colour is light brown with darker bands on the body and tail – these tend to be broken up near the neck. Some individuals possess distinct bands or speckling on the snout. Body scales are relatively large, with wide, closely-knit armoured plates on the back. Rounded, pebbly scales cover the flanks and outsides of the legs.” [1]

Compositional Information:

The reflections of the reeds and crocodile were almost mirror like in the still water of the display.

Shooting in manual mode I spot metered off of a brighter area of the crocodile  and overexposed by approximately two stops.

Composing horizontally I wanted to split the frame (horizontally) down the middle with the reflecting line of  the crocodile and reeds. I think  I succeeded  with the reeds, not so much with the crocodile.

My exposure was f-4 at 1/30. I pressed the lens against the glass of the display to steady the camera and remove any possible reflections from the glass itself.

I assumed  that the light in the display was approximately 5200 K to simulate sunlight so I set my white balance to cloudy to warm the photograph.

In Lightroom, since I capture using Raw files, I reset whit balance to cloudy and saved as a tif file in Photoshop.

Technical Information:

Subfile Type: Full-resolution Image

Image Width: 3072

Image Height: 2304

Bits Per Sample: 8 8 8

Compression: Uncompressed

Photometric Interpretation: RGB

Image Description: May 9, 2008. The National Aquarium. Inner Harbor area of Baltimore, Maryland. Animal Planet Australia: Wild Extremes! exhibit

Make: SONY

Camera Model Name: DSC-V3

Strip Offsets: 25884

Samples Per Pixel: 3

Rows Per Strip: 2304

Strip Byte Counts: 21233664

X Resolution: 300

Y Resolution: 300

Planar Configuration: Chunky

Resolution Unit: inches

Modify Date: 2009-06-07 19:54:36 GMT

Artist: Sam D’Amico

Copyright: (C) Sam D’Amico

Exposure Time: 1/30

F Number: 4.0

Exposure Program: Manual

ISO: 400

Exif Version: 0221

Date/Time Original: 2008-05-09 13:52:28 GMT

Create Date: 2008-05-09 13:52:28 GMT

Shutter Speed Value: 1/30

Aperture Value: 4.0

Max Aperture Value: 2.8

Metering Mode: Spot

Light Source: Cloudy

Flash: Off

Focal Length: 28.0mm

File Source: Digital Camera

Scene Type: Directly photographed

Custom Rendered: Normal

Exposure Mode: Manual

White Balance: Manual

Scene Capture Type: Standard

Links:

[1] http://www.flmnh.ufl.edu/cnhc/csp_cjoh.htm

Related  Photography Classes and Workshops:

New York Times Writer Decorates Her Apartment With Pictures From Flickr. Thinks “I’m in the clear”.

If I pass  a store  and it has an outdoor  display on the sidewalk, I could take  whatever  is out there,  right?  After all, the display is on a public  sidewalk, so whatever is in public  and easy to take, is anyone’s property,   yes ?

Of  course not.  Just  because something  is in public and easy to take does  not mean we could take it. It’s someones property and if you take it, you’re stealing.

Sometimes I find the ignorance of people astounding !  Especially  when people who should  know better are engaging in such behavior and  THEN, using their public platform, encouraging  the masses to join them in their kleptomaniac ways.

A writer from the NY  Times, Sonia Zjawinski, advocates  taking pictures  from Flikr to decorate her  home.

A post on the blog  A Photo Editor  titled “NYTimes Advocates Stealing Photos From Flickr To Decorate” [1] has confirmed  that  the ignorance of some people is unfathomable.

Here’s  a quote:

“And if you’re wondering about copyright issues (after all, these aren’t my photos), the photos are being used by me for my own, private, noncommercial use. I’m not selling these things and not charging admission to my apartment, so I think I’m in the clear.”

SHE THINKS WRONG !!!  Unless she has been granted permission from the copyright owner  of  the  photograph(s), she is stealing  (committing copyright infringement) and denying  the photographer who may derive an income from selling prints any  money that they would  have made by  selling that print.

This writer should  be ashamed of herself and charged with copyright infringement by every photographer who  has not  granted her permission to take their work.

I’m getting too worked up about this. Before I start using words that really express my  feeling about this  writer I encourage you to link to the post [1]. You’ve got to read this stuff to believe it !!!

Links:

[1] http://www.aphotoeditor.com/2009/06/25/nytimes-advocates-stealing-photos-from-flickr-to-decorate/

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The Worth of Your Work, aka “Content”, In The Digital Age.

Video from the writers  strike in 2007. Replace  the word  writer with photographer.

As someone states in the Voices of Uncertainty video “content is going  to be more  and more and  more  important”.

We (photographers, writers and other artists ) are the content providers. The media corporations/publishers are making money  hand over fist with digital content, CONTENT THAT WE CREATE,  yet they  don’t want  to pay  us for  the use of our work.  Use their product without paying them and you’ll find  yourself slapped with a copyright infringement suit. The hypocrisy  and greed of  these corporations is astounding.

YouTube – Not The Daily Show, With Some Writer.

YouTube – Voices of Uncertainty.

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